Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez's 'Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando)' came out on January 1, 1993. Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 6 out of 9 in Bartók: Concerto for Orchestra; Orchestral Pieces, Op. 12 by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is Allegro (fast, quick, and bright), since this song has a tempo of 124 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro - | Ludwig van Beethoven, Sir Simon Rattle | F Minor | 1 | 4A | 131 BPM | ||
Concerto for Orchestra, Sz. 116: 3. Elegia (Andante, non troppo) | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 80 BPM | ||
La mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Cleveland Orchestra, Pierre Boulez | F♯ Major | 0 | 2B | 134 BPM | ||
Piano Concerto No. 2, BB 101, Sz. 95: III. Allegro molto | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | B♭ Major | 3 | 6B | 89 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM |