"Pictures At An Exhibition: The Catacombs (Sepulchrum romanum)" by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini was released on January 1, 2009. The duration of Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Pictures At An Exhibition: The Catacombs (Sepulchrum romanum)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini's "Mussorgsky: Pictures at an Exhibition" album is number 12 out of 15. Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Heldenleben, Op. 40, TrV 190: Des Helden Weltflucht und Vollendung (The Hero's Withdrawal from the World) | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 0 | 5B | 67 BPM | ||
Symphony No. 9 in D Minor, WAB 109 - Edition: Leopold Nowak: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Live | Anton Bruckner, Wiener Philharmoniker, Carlo Maria Giulini | D Major | 2 | 10B | 92 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 3 | 9B | 111 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 139 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Khovanshchina: Dance of the Persian Slaves | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker | G Major | 0 | 9B | 82 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | G Minor | 3 | 6A | 89 BPM |