"Aida: Danza delle sacerdotesse" by Giuseppe Verdi, Enzo Felicitati, Oralia Dominguez, Maria Curtis Verna, Umberto Borso, Ettore Bastianini, Uberto Scaglioni, Norman Scott, Orchestra & Chorus of the Teatro La Fenice was released on 2003. The duration of Aida: Danza delle sacerdotesse is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Aida: Danza delle sacerdotesse's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 26 in Aida by Giuseppe Verdi, Enzo Felicitati, Oralia Dominguez, Maria Curtis Verna, Umberto Borso, Ettore Bastianini, Uberto Scaglioni, Norman Scott, Orchestra & Chorus of the Teatro La Fenice. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Aida: Danza delle sacerdotesse is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aida: Danza delle sacerdotesse by Giuseppe Verdi, Enzo Felicitati, Oralia Dominguez, Maria Curtis Verna, Umberto Borso, Ettore Bastianini, Uberto Scaglioni, Norman Scott, Orchestra & Chorus of the Teatro La Fenice is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otello / Act 1: "Già nella notte densa...Venga la morte" - Live In Chicago & New York / 1991 | Giuseppe Verdi, Luciano Pavarotti, Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 1 | 3B | 89 BPM | ||
Turandot / Act 3: "Diecimile anni al nostro Imperatore...Padre augusto" | Giacomo Puccini, Dame Joan Sutherland, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM |