"Otello / Act 1: "Già nella notte densa...Venga la morte" - Live In Chicago & New York / 1991" by Giuseppe Verdi, Luciano Pavarotti, Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti was released on January 1, 1991. Otello / Act 1: "Già nella notte densa...Venga la morte" - Live In Chicago & New York / 1991 appears to be safe for all ages as it is not explicit. This song is part of Verdi: Otello by Giuseppe Verdi, Kiri Te Kanawa, Luciano Pavarotti, Anthony Rolfe Johnson, Leo Nucci, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti. The song's track number on the album is #9 out of 45 tracks. Otello / Act 1: "Già nella notte densa...Venga la morte" - Live In Chicago & New York / 1991 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Otello / Act 1: "Già nella notte densa...Venga la morte" - Live In Chicago & New York / 1991 by Giuseppe Verdi, Luciano Pavarotti, Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Otello / Act 1: "Già nella notte densa...Venga la morte" - Live In Chicago & New York / 1991 being at 89 テンポ, the half-time would be 44 テンポ with a double-time of 178 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnambula / Act 1: "Perdona, o mia diletta...Prendi: L'anel ti dono" | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 79 BPM | ||
Macbeth / Act II: Va', spirto d'abisso! | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E Major | 2 | 12B | 127 BPM | ||
Verdi: Messa da Requiem: XVII. Libera me - Dies irae | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 2 | 4B | 88 BPM | ||
Macbeth / Act II: Si colmi il calice | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Alfredo Mariotti, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | F Major | 2 | 7B | 86 BPM | ||
Aida / Act 1: "Vieni, o diletta, appressati" | Giuseppe Verdi, Elena Obraztsova, Katia Ricciarelli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
Nebbie | Ottorino Respighi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | A♭ Minor | 2 | 1A | 88 BPM | ||
Bizet: Carmen: Les tringles des sistres tintaient: Danse Bohemienne - Act Two | Georges Bizet, Shirley Verrett, Teersa Cahill, Anne Pashley, Richard van Allan, Covent Garden Chorus, José van Dam | C Major | 4 | 8B | 111 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Werther, Act. III - Pourquoi me reveiller? | Jules Massenet, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | F♯ Minor | 3 | 11A | 65 BPM | ||
Bizet: Carmen: Pres des remparts de Seville: Seguidilla - Act One | Georges Bizet, Shirley Verrett, Plácido Domingo | B Minor | 2 | 10A | 78 BPM |