"In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 3: 8. Voice mon serviteur, mon élu" by Frank Martin, Marga Höffgen, Orchestre de la Suisse Romande, Ernest Ansermet had its release date on July 6, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Frank Martin, Ernest Ansermet, Orchestre de la Suisse Romande's "Martin: Orchestral Works" album is number 22 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 3: 8. Voice mon serviteur, mon élu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 3: 8. Voice mon serviteur, mon élu by Frank Martin, Marga Höffgen, Orchestre de la Suisse Romande, Ernest Ansermet to be Larghetto (rather broadly) because the track has a tempo of 61 テンポ, a half-time of 30テンポ, and a double-time of 122 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caligaverunt Oculi Mei | Arautos do Evangelho | E Minor | 0 | 9A | 81 BPM | ||
Kirchenmusik, Op. 23: III. Mitten wir im Leben sind | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 86 BPM | ||
Cantata "Christ lag in Todesbanden", BWV 4: "Den Tod niemand zwingen kunnt" | Johann Sebastian Bach, The Hilliard Ensemble | D♭ Minor | 1 | 12A | 111 BPM | ||
Guitare: III. Plainte | Frank Martin, Real Filharmonia de Galicia, Óliver Díaz | G Major | 3 | 9B | 79 BPM | ||
Miserere: IV. Ecce enim veritatem dilexisti ; Asparges me hysopo - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
2nd Book of Madrigals for five Parts: Ecco mormorar l'onde | Claudio Monteverdi, Hallenser Madrigalisten, Andreas Göpfert | C Minor | 1 | 5A | 87 BPM | ||
3 Motets, Op. 43: No. 2, Peace I Leave with You | Knut Nystedt, The Norwegian Soloists' Choir, Grete Pedersen | D♭ Minor | 0 | 12A | 86 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM |