"Cantata "Christ lag in Todesbanden", BWV 4: "Den Tod niemand zwingen kunnt"" by Johann Sebastian Bach, The Hilliard Ensemble had its release date on September 14, 2001. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 22 in Bach: Morimur by Johann Sebastian Bach, The Hilliard Ensemble, Christoph Poppen. In terms of popularity, Cantata "Christ lag in Todesbanden", BWV 4: "Den Tod niemand zwingen kunnt" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantata "Christ lag in Todesbanden", BWV 4: "Den Tod niemand zwingen kunnt" by Johann Sebastian Bach, The Hilliard Ensemble is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vezzosi augelli | Giaches de Wert, La Venexiana, Claudio Cavina | F♯ Major | 1 | 2B | 70 BPM | ||
Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM | ||
Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Coro con Choral | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Stephan MacLeod, Jan Kobow, Carlos Mena, Katharine Fuge | E♭ Major | 2 | 5B | 179 BPM | ||
Mass For Four Voices: 2. Credo | Thomas Tallis, The Hilliard Ensemble | C Major | 2 | 8B | 80 BPM | ||
Christus resurgens | Peter Philips, Sarum Consort, Andrew Mackay | B Major | 1 | 1B | 97 BPM | ||
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
J'ayme trop mieux souffrir la mort | Guillaume Costeley, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Marco Horvath, Le Poème Harmonique, Vincent Dumestre | C Major | 0 | 8B | 80 BPM | ||
Petite messe solennelle: II. Kyrie. Christe eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri | A Minor | 0 | 8A | 172 BPM | ||
In tribulationibus, in angustiis: No. 5, O mons delitiarum | Rinaldo Alessandrini, Concerto Italiano, Andrés Montilla, Luca Cervoni, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM |