"Die tote Stadt, Op. 12 / Act 1: Glück, das mir verblieb (Mariettalied)" by Erich Wolfgang Korngold, Beverly Sills, London Philharmonic Orchestra, Julius Rudel was released on January 1, 2002. Since Die tote Stadt, Op. 12 / Act 1: Glück, das mir verblieb (Mariettalied) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 20 in the song's album "The Art Of Beverly Sills". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Die tote Stadt, Op. 12 / Act 1: Glück, das mir verblieb (Mariettalied) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die tote Stadt, Op. 12 / Act 1: Glück, das mir verblieb (Mariettalied) テンポ

With Die tote Stadt, Op. 12 / Act 1: Glück, das mir verblieb (Mariettalied) by Erich Wolfgang Korngold, Beverly Sills, London Philharmonic Orchestra, Julius Rudel having a テンポ of 59 with a half-time of 30 テンポ and a double-time of 118 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Die tote Stadt, Op. 12 / Act 1: Glück, das mir verblieb (Mariettalied) キー

B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.