"Potrò viver io più se senza luce" by Luca Marenzio, Owain Park, The Gesualdo Six was released on March 27, 2020. The duration of Potrò viver io più se senza luce is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Potrò viver io più se senza luce's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 18 in Fading: 9 Centuries of Choral Meditation & Reflection by The Gesualdo Six, Thomas Tallis, Owain Park, Carlo Gesualdo, Jonathan Seers, Joanna Marsh, William Byrd, Veljo Tormis, Nicolas Gombert, Christopher Tye, Alonso Lobo, Luca Marenzio, Hildegard von Bingen, Sarah Rimkus, Gerda Blok-Wilson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Potrò viver io più se senza luce is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Potrò viver io più se senza luce by Luca Marenzio, Owain Park, The Gesualdo Six is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Tant que vivray | Claudin de Sermisy, Ensemble Clément Janequin, Dominique Visse | E Major | 1 | 12B | 72 BPM | ||
Due rose fresche | Luca Marenzio, Rosso Porpora, Walter Testolin | B♭ Minor | 0 | 3A | 74 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
The Dancing Master: Come live with me and be my love | John Playford, The Broadside Band, Jeremy Barlow | C Major | 0 | 8B | 75 BPM | ||
Miserere mei, Deus | Philippe de Monte, Collegium Vocale Gent, Philippe Herreweghe | F Minor | 2 | 4A | 85 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
La Favolla d'Apollo: 14. Qui di carne si sfama a 12 "La Pellegrina" | Luca Marenzio, Ensemble Pygmalion, Lucile Richardot, Raphael Pichon, Zachary Wilder | F Major | 3 | 7B | 91 BPM | ||
Dominus illuminatio mea: Sinfonia | Franz Tunder, Peter Barany, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A Minor | 0 | 8A | 79 BPM |