Luca Marenzio, Ensemble Pygmalion, Lucile Richardot, Raphael Pichon, Zachary Wilder's 'La Favolla d'Apollo: 14. Qui di carne si sfama a 12 "La Pellegrina"' had a release date set for May 19, 2017. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. La Favolla d'Apollo: 14. Qui di carne si sfama a 12 "La Pellegrina"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #14. In terms of popularity, La Favolla d'Apollo: 14. Qui di carne si sfama a 12 "La Pellegrina" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Favolla d'Apollo: 14. Qui di carne si sfama a 12 "La Pellegrina" by Luca Marenzio, Ensemble Pygmalion, Lucile Richardot, Raphael Pichon, Zachary Wilder having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Versi sopra la messa che si canta nelle domeniche dell'anno: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 1 | 3B | 92 BPM | ||
Se nelle voci nostre, a 12 | Luca Marenzio, Capriccio Stravagante Consort Voices, Capriccio Stravagante, Collegium Vocale Gent, Skip Sempé | B♭ Major | 2 | 6B | 92 BPM | ||
Che fai tù?: Che fai tù? | Giovanni Girolamo Kapsberger, Les Kapsber'girls, Alice Duport-Percier, Axelle Verner | F♯ Minor | 1 | 11A | 81 BPM | ||
Barca di Venetia per Padova, Op. 12: XIII. Mercante Bresciano et Hebrei | Luca Marenzio, Dominique Visse, Ensemble Clément Janequin | E Major | 1 | 12B | 76 BPM | ||
Occhi dolci e soavi | Luca Marenzio, Alla Francesca, Brigitte Lesne, Vivabiancaluna Biffi, Christel Boiron | A Minor | 1 | 8A | 73 BPM | ||
Pavin of Albarti | Innocentio Alberti, The Rose Consort Of Viols | E Major | 0 | 12B | 78 BPM | ||
Première suytte de Bransles d'Escosse | Pierre Attaingnant, Doulce Mémoire, Denis Raisin-Dadre | C Minor | 2 | 5A | 105 BPM | ||
Missa pro defunctis: I. Introitus | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 63 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM |