"Barca di Venetia per Padova, Op. 12: XIII. Mercante Bresciano et Hebrei" by Luca Marenzio, Dominique Visse, Ensemble Clément Janequin had its release date on January 15, 1990. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 36 in Banchieri: Barca di Venetia per Padova by Luca Marenzio, Dominique Visse, Ensemble Clément Janequin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Barca di Venetia per Padova, Op. 12: XIII. Mercante Bresciano et Hebrei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Barca di Venetia per Padova, Op. 12: XIII. Mercante Bresciano et Hebrei by Luca Marenzio, Dominique Visse, Ensemble Clément Janequin is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 1 in F Major, ZWV 181, 1: I. Adagio ma non troppo | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | F Major | 1 | 7B | 143 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Missa super mon coeur se recomande: Sanctus | Philippe de Monte, Ensemble Freiberger Dom-Music, Chordae Freybergensis, Albrecht Koch | D♭ Major | 1 | 3B | 86 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
Lachrimae or Seven Tears: I. Lachrimae antiquae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Vespro della Beata Vergine, SV 206: VIII. Psalm "Nisi Dominus" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | D Major | 2 | 10B | 80 BPM | ||
Madrigali á 5 voci, Libro 9 (Excerpts): No. 14, Vivo in guerra | Luca Marenzio, La Venexiana | F Major | 1 | 7B | 129 BPM | ||
Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
Tant que vivray | Claudin de Sermisy, Ensemble Clément Janequin, Dominique Visse | E Major | 1 | 12B | 72 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIg. Magnificat "Deposuit potentes de sede" | Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent | B♭ Minor | 0 | 3A | 106 BPM |