"Missa pro defunctis: I. Introitus" by Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron had its release date on August 19, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Vox Luminis, Lionel Meunier, L'Achéron, Scorpio Collectif's "Kerll & Fux: Requiems" album is number 1 out of 14. On top of that, Belgium appears to be the country where this track was created. Missa pro defunctis: I. Introitus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro defunctis: I. Introitus by Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron to be Larghetto (rather broadly) because the track has a tempo of 63 テンポ, a half-time of 32テンポ, and a double-time of 126 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Sonata a 4 | Gabriele Usper, The Illyria Consort, Bojan Čičić, Gawain Glenton | F♯ Major | 2 | 2B | 86 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Vespro della Beata Vergine, SV 206: V. Concerto "Pulchra es" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | A♭ Major | 0 | 4B | 114 BPM | ||
Cantata I: Ad pedes (To the Feet): Ecce super montes - Chorus | The Sixteen | B Minor | 1 | 10A | 92 BPM | ||
Illumina faciem tuam | Carlo Gesualdo, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 136 BPM | ||
Frescos ayres del prado | Antoine Boësset, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 104 BPM | ||
Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | ||
Halt, was du hast | Johann Michael Bach, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 88 BPM | ||
Canzone prima in D Minor | Johann Caspar Kerll, Joseph Kelemen | C Major | 0 | 8B | 76 BPM |