"Dona Francisquita : Mujer Fatal" by Amadeo Vives, Miguel Fleta was released on October 5, 1971. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Miguel Fleta's "Miguel Fleta Sings" album is number 2 out of 15. Dona Francisquita : Mujer Fatal is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dona Francisquita : Mujer Fatal by Amadeo Vives, Miguel Fleta to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Fausto: "Coro de los Soldados" | Slovak Philharmonic Orquesta y Coros | B♭ Minor | 2 | 3A | 92 BPM | ||
Sento nel core | Tito Schipa | G Minor | 1 | 6A | 85 BPM | ||
Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | ||
Madrileña Bonita (Romanza de Joaquin) | Anselmo Carreno, Pablo Solozabal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Pablo Sorozábal, Orquesta de Conciertos de Madrid | B♭ Minor | 2 | 3A | 92 BPM | ||
Gigantes y Cabezudos: "Coro de repatriados" | Orfeon Donostiarra, Carlos Munguia | G Major | 3 | 9B | 99 BPM | ||
Les Pêcheurs de perles: Sombres divinités (Nourabad, Fishermen, Villagers, Zurga, Leïla, Nadir) | Georges Bizet, Janine Micheau/Nicolai Gedda/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | B♭ Major | 1 | 6B | 68 BPM | ||
La Dolores / Act 1: Jota | Tomás Bretón, Elisabete Matos, Raquel Pierotti, Máire Lang, Santiago Calderon, Tito Beltrán, Cor Del Gran Teatro De Liceu, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Antoni Ros Marbá | A Major | 2 | 11B | 108 BPM | ||
Escucha Mi Bien | Amadeo Vivos, Amadeo Vives | G Major | 5 | 9B | 174 BPM | ||
Leoncavallo: Mattinata | Ruggero Leoncavallo, Enrico Caruso | E Major | 2 | 12B | 85 BPM |