"Madrileña Bonita (Romanza de Joaquin)" by Anselmo Carreno, Pablo Solozabal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Pablo Sorozábal, Orquesta de Conciertos de Madrid was released on November 20, 2015. The duration of Madrileña Bonita (Romanza de Joaquin) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Madrileña Bonita (Romanza de Joaquin)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anselmo Carreno, Francisco Maroto, Enrique Fuentes, José Marín's "La del Manojo de Rosas" album is number 9 out of 11. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Madrileña Bonita (Romanza de Joaquin) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madrileña Bonita (Romanza de Joaquin) by Anselmo Carreno, Pablo Solozabal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Pablo Sorozábal, Orquesta de Conciertos de Madrid to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La gran via: Jota de los ratas | Ana Maria Iriarte, Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | C Major | 3 | 8B | 95 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius | Carl Orff, Agnes Giebel/Paul Kuen/Marcel Cordes/Chor des Westdeutschen Rundfunks/Children's Choir/Kölner Rundfunk-Sinfonie-Orchester/Wolfgang Sawallisch, Marcel Cordes, Wolfgang Sawallisch, Kölner Rundfunk-Sinfonie-Orchester | G Minor | 1 | 6A | 77 BPM | ||
Canto a Murcia | Orquesta Sinfónica Española | A Major | 3 | 11B | 117 BPM | ||
Ojos Pues Me Desdeñais | José Marín, Montserrat Figueras, Rolf Lislevand, Jordi Savall | D♭ Minor | 0 | 12A | 171 BPM | ||
Cocidito Madrileño | Pepe Blanco | C Major | 3 | 8B | 121 BPM | ||
La Copla de Mis Amores - Remastered | Molina y Sus Gaditanas | E Minor | 4 | 9A | 82 BPM | ||
Niña Caralola (Canción) | Miguel De Molina | C Major | 3 | 8B | 130 BPM | ||
Las Golondrinas, Escena 1ª, II parte: "Niña loca" | Coro del Gran Teatro Lírico de Bacelona | E♭ Major | 2 | 5B | 129 BPM | ||
El Tercio / Y Voy por la Carretera (feat. Rondalla) | Raimundo Lanas, Rondalla | G Major | 2 | 9B | 84 BPM | ||
Entre Sevilla y Triana: "Sevillanas y zorongo" | Florencio Calpe, Ana Maria Olaria | G Minor | 4 | 6A | 96 BPM |