Samuel Scheidt, Stephen Cleobury, Choir of King's College, Cambridge's 'Puer natus in Bethlehem' came out on March 22, 2019. The duration of Puer natus in Bethlehem is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Puer natus in Bethlehem's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Music of King's: Choral Favourites from Cambridge". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Puer natus in Bethlehem is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puer natus in Bethlehem by Samuel Scheidt, Stephen Cleobury, Choir of King's College, Cambridge having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ockeghem: Missa pro Defunctis: I. Requiem aeternam | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | F Major | 0 | 7B | 83 BPM | ||
Requiem: IV. Sanctus | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 1 | 7B | 78 BPM | ||
Now Is the Month of Maying: Now Is the Month of Maying | Thomas Morley, Laudantes Consort, Guy Janssens | G Major | 2 | 9B | 111 BPM | ||
I Was Glad | Hubert Parry, Choir of King's College, Cambridge, James Vivian, Robert Quinney, Stephen Cleobury | B♭ Major | 2 | 6B | 82 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Christe, Redemptor Omnium | Ivo Antognini, Desmond Earley, Declan Wildes, Katherine Hunka, Aoife Nic Athlaoich, The Choral Scholars of University College Dublin | G Major | 1 | 9B | 110 BPM |