"100 Folk-tunes from Hardanger, Op. 151, Suite No. 1: IV. Moltor og myrabaer (Berries of mountain and moor)" by Geirr Tveitt, Stavanger Symphony Orchestra, Ole Kristian Ruud was released on February 28, 1999. With 100 Folk-tunes from Hardanger, Op. 151, Suite No. 1: IV. Moltor og myrabaer (Berries of mountain and moor) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Tveitt: 100 Folk-Tunes From Hardanger, Op. 151, Suite Nos. 1 & 2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. 100 Folk-tunes from Hardanger, Op. 151, Suite No. 1: IV. Moltor og myrabaer (Berries of mountain and moor) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 100 Folk-tunes from Hardanger, Op. 151, Suite No. 1: IV. Moltor og myrabaer (Berries of mountain and moor) by Geirr Tveitt, Stavanger Symphony Orchestra, Ole Kristian Ruud having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Peer Gynt, Op. 23: Anitra's Dance - Arr. for Hardanger Fiddle & String Orchestra by Tormod Tvete Vik | Edvard Grieg, Ragnhild Hemsing, TrondheimSolistene | G Major | 0 | 9B | 130 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
Våren - Last Spring | Edvard Grieg, Royal Philharmonic Orchestra | G Major | 0 | 9B | 82 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
7 Dikter, Op. 28: V. Jag längtar dig (I Yearn for You) | Hugo Alfvén, Claes-Håkan Ahnsjö, Folke Alin | D Major | 1 | 10B | 136 BPM | ||
Ouverture, Pt. 1 | Hubert Evin, Guillaume Barli, Robin Aubertin, Francois Seillier | G Major | 3 | 9B | 101 BPM | ||
Solistvals (Soloist's Waltz) | Gjermund Larsen, Berit Opheim Versto, The Norwegian Soloists' Choir, Grete Pedersen | G Major | 2 | 9B | 138 BPM | ||
100 Folk-tunes from Hardanger, Op. 151, Suite No. 5, "Troll tunes": 68. Galdreson (Spell-song) | Geirr Tveitt, Stavanger Symphony Orchestra, Ole Kristian Ruud | C Major | 1 | 8B | 60 BPM |