"La vita nuova, Op. 9, Part I: No. 2, Ballata. Fresca rosa novella" by Ermanno Wolf-Ferrari, George Fortune, Chor der St. Hedwigs-Kathedrale Berlin, Knabenchor der St. Hedwig-Kathedrale, Berlin, Radio-Symphonie-Orchester Berlin, Roland Bader was released on 1994. Since La vita nuova, Op. 9, Part I: No. 2, Ballata. Fresca rosa novella is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wolf-Ferrari: La vita nuova, Op.9 by Ermanno Wolf-Ferrari, Celina Lindsley, George Fortune, Chor der St. Hedwigs-Kathedrale Berlin, Knabenchor der St. Hedwig-Kathedrale, Berlin, Radio-Symphonie-Orchester Berlin, Roland Bader. The song's track number on the album is #2 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, La vita nuova, Op. 9, Part I: No. 2, Ballata. Fresca rosa novella's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La vita nuova, Op. 9, Part I: No. 2, Ballata. Fresca rosa novella by Ermanno Wolf-Ferrari, George Fortune, Chor der St. Hedwigs-Kathedrale Berlin, Knabenchor der St. Hedwig-Kathedrale, Berlin, Radio-Symphonie-Orchester Berlin, Roland Bader has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With La vita nuova, Op. 9, Part I: No. 2, Ballata. Fresca rosa novella being at 136 テンポ, the half-time would be 68 テンポ with a double-time of 272 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Series I., Op. 46, B. 83: IV. in F major. Tempo di menuetto | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
Nimrod | Edward Elgar, Czech Philharmonic, Leopold Stokowski | F Major | 2 | 7B | 117 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Jig in G, Sonata VI II (Thomas Arne) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
3 Piano Pieces, Op. 14: I. Melodie | Ermanno Wolf-Ferrari, Costantino Catena | F♯ Minor | 0 | 11A | 69 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": Ib. Sinfonia: Allegretto un poco agitato | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | G Major | 1 | 9B | 96 BPM |