"Concerto IX in Si Maggiore Rv 164: Adagio" by Modo Antiquo, Federico Maria Sardelli was released on January 26, 2007. With Concerto IX in Si Maggiore Rv 164: Adagio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vivaldi: Concerti Di Parigi I XII by Modo Antiquo. The song's track number on the album is #25 out of 35 tracks. Concerto IX in Si Maggiore Rv 164: Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto IX in Si Maggiore Rv 164: Adagio by Modo Antiquo, Federico Maria Sardelli has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto IX in Si Maggiore Rv 164: Adagio being at 79 テンポ, the half-time would be 40 テンポ with a double-time of 158 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 6, No. 1: VI. Allegro | Arcangelo Corelli, Modo Antiquo, Federico Maria Sardelli | E Major | 1 | 12B | 107 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 3. Allegro | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Major | 2 | 10B | 122 BPM | ||
Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": V. Allegro | Arcangelo Corelli, Modo Antiquo, Federico Maria Sardelli | F♯ Minor | 2 | 11A | 130 BPM | ||
Violin Concerto in A Major, RV 817: I. Allegro | Antonio Vivaldi, Modo Antiquo, Federico Maria Sardelli, Anton Steck | A♭ Major | 3 | 4B | 124 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio | Francesco Geminiani, Capella Istropolitana | D Minor | 1 | 7A | 103 BPM | ||
Concerto Grosso in C Major, Op. 6, No. 10: I. Preludio. Andante largo | Arcangelo Corelli, Modo Antiquo, Federico Maria Sardelli | E Major | 1 | 12B | 80 BPM | ||
Concerto For Violin Concertato, Strings And Basso Continuo In A Minor, TWV 51:A1: Allegro | Georg Philipp Telemann, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | A Minor | 1 | 8A | 144 BPM | ||
Suite Les Indes Galantes / Prologue: 3. Air pour les esclaves africains | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | F Minor | 2 | 4A | 95 BPM |