Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen made "Suite Les Indes Galantes / Prologue: 3. Air pour les esclaves africains" available on January 1, 1994. With Suite Les Indes Galantes / Prologue: 3. Air pour les esclaves africains being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Rameau: Les Indes Galantes Suite". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Suite Les Indes Galantes / Prologue: 3. Air pour les esclaves africains is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Suite Les Indes Galantes / Prologue: 3. Air pour les esclaves africains by Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No 4 in D major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | D♭ Major | 3 | 3B | 132 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: VI. Menuet | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 114 BPM | ||
I. Overture - Allegro | Johan Helmich Roman, Concerto Grosso Berlin | F♯ Minor | 2 | 11A | 123 BPM | ||
Concerto in F Major, No. 1, RV 98, Tempesta di mare: III. Presto | Antonio Vivaldi, Frans Brüggen, Orchestra Of The 18th Century | E Major | 3 | 12B | 118 BPM | ||
Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 3 | 4B | 64 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Concerto For Oboe And Orchestra In G Major: 3. Allegro | Carl Ditters von Dittersdorf, Heinz Holliger, Camerata Bern, Thomas Füri | G Major | 2 | 9B | 133 BPM | ||
Keyboard Concerto in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Pieter-Jan Belder, Orchestra Of The 18th Century, Frans Brüggen | D♭ Minor | 3 | 12A | 95 BPM | ||
Symphony No. 1 in B-Flat Major - Transcr. by Lambert: 1. Allegro | William Boyce, English Chamber Orchestra, Emanuel Hurwitz | C Minor | 5 | 5A | 152 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM |