Francesco Geminiani, Capella Istropolitana's 'Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio' came out on June 24, 1996. With Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Capella Istropolitana's "Italian Baroque Favourites" album is number 21 out of 37. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio by Francesco Geminiani, Capella Istropolitana to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 4 : II. Adagio | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana | B Minor | 0 | 10A | 142 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Water Music Suite No. 1 in F: Adagio e staccato | Berliner Philharmoniker, Riccardo Muti | D Minor | 1 | 7A | 77 BPM | ||
Cello Concerto in A Minor, Wq. 170: III. Allegro assai | Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit | A Minor | 2 | 8A | 169 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: I. Allegro | Pietro Locatelli, Capella Istropolitana | D Major | 3 | 10B | 136 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 6 : II. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | F Major | 2 | 7B | 128 BPM | ||
Concerto for Viola and Orchestra in G Major: I. Largo | Georg Philipp Telemann, Capella Istropolitana, Paul Kantschieder | E♭ Major | 2 | 5B | 111 BPM | ||
Flute Concerto No. 3 in C Major: III. Allegro assai | Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin | B Major | 1 | 1B | 129 BPM | ||
12 Trio Sonatas, Op. 3, Trio Sonata No. 6 in G Major: I. Vivace | Arcangelo Corelli, Purcell Quartet | F Major | 2 | 7B | 136 BPM | ||
Concerto For 4 Violins In D Major, Op. 3, No. 1, RV 549: III. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM |