"Water Music Suite No. 1 in F: Adagio e staccato" by Berliner Philharmoniker, Riccardo Muti was released on November 12, 2007. The duration of Water Music Suite No. 1 in F: Adagio e staccato is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Water Music Suite No. 1 in F: Adagio e staccato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "The Berlin Philharmonic on EMI". In this album, this song's track order is #7. Water Music Suite No. 1 in F: Adagio e staccato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Water Music Suite No. 1 in F: Adagio e staccato by Berliner Philharmoniker, Riccardo Muti having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Monn: Cello Concerto in G Minor: II. Adagio | Georg Matthias Monn, Sir John Barbirolli, Valda Aveling, London Symphony Orchestra | E♭ Major | 1 | 5B | 141 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio | Francesco Geminiani, Capella Istropolitana | D Minor | 1 | 7A | 103 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Holberg Suite, Op.40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 149 BPM | ||
Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: I. Allegro | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | A Major | 1 | 11B | 79 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Violin Concerto In D, Op.77: 2. Adagio | Johannes Brahms, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 114 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM |