Arcangelo Corelli, Purcell Quartet made "12 Trio Sonatas, Op. 3, Trio Sonata No. 6 in G Major: I. Vivace" available on May 1, 1992. The duration of 12 Trio Sonatas, Op. 3, Trio Sonata No. 6 in G Major: I. Vivace is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. 12 Trio Sonatas, Op. 3, Trio Sonata No. 6 in G Major: I. Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 37 out of 47 in Corelli: Sonatas for Strings, Vol. 3 by Arcangelo Corelli, Purcell Quartet, Jakob Lindberg. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, 12 Trio Sonatas, Op. 3, Trio Sonata No. 6 in G Major: I. Vivace's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 12 Trio Sonatas, Op. 3, Trio Sonata No. 6 in G Major: I. Vivace by Arcangelo Corelli, Purcell Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in F, Op. 6, No. 2 - Rev. Vittorio Negri (1923- ): 4. Allegro | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Guy Bovet, I Musici | F Major | 1 | 7B | 164 BPM | ||
Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
Cello Concerto in A Minor, Wq. 170: III. Allegro assai | Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit | A Minor | 2 | 8A | 169 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Oboe Concerto in D minor - Allegro moderato | Alessandro Marcello, Senia Trubashnik, Luxembourg Radio Symphony Orchestra, Kurt Redel | C Minor | 2 | 5A | 75 BPM | ||
Violin Concerto in E Major, BWV 1042: III. Allegro Assai | Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz | E Major | 3 | 12B | 86 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
La Plaisiers Ballet: Sarabande | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 174 BPM | ||
Quatuor No. 3 in G Major: VI. Gai | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | F♯ Major | 2 | 2B | 130 BPM |