"Mathis Der Maler, 1st Tableau, Scene 2: "Es wollt ein Maidlein..." (Mathis/Regina)" by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra had its release date on April 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 6 out of 61. Mathis Der Maler, 1st Tableau, Scene 2: "Es wollt ein Maidlein..." (Mathis/Regina) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mathis Der Maler, 1st Tableau, Scene 2: "Es wollt ein Maidlein..." (Mathis/Regina) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Larghetto (rather broadly) because the track has a tempo of 63 テンポ, a half-time of 32テンポ, and a double-time of 126 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Woodwinds, Harp and Orchestra: II. Grazioso | Paul Hindemith, Stathis Karapanos, Jörg Widmann, Stephan Schweigert, Celine Moinet, Marie-Pierre Langlamet, Konzerthaus Berlin Chamber Orchestra, Sayako Kusaka | G Major | 0 | 9B | 113 BPM | ||
Mikrokosmos, Sz. 107 - Book 6: No.149 Dance in Bulgarian Rhythm II | Béla Bartók, Zoltán Kocsis | G Minor | 1 | 6A | 147 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | ||
Concerto in modo misolidio, P. 145: Lento | Ottorino Respighi, Konstantin Scherbakov, Slovak Radio Symphony Orchestra, Howard Griffiths | B♭ Minor | 0 | 3A | 74 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | B♭ Major | 3 | 6B | 89 BPM | ||
Three Movements 'Petruschka': Danse russe. Allegro giusto | Igor Stravinsky, Maurizio Pollini | C Major | 3 | 8B | 118 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Viola Concerto: I. Andante comodo | William Walton, Paul Hindemith, William Primrose, Sir Malcolm Sargent, Royal Philharmonic Orchestra | B♭ Major | 1 | 6B | 175 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM |