On January 1, 2000, the song "Viola Concerto: I. Andante comodo" was released by William Walton, Paul Hindemith, William Primrose, Sir Malcolm Sargent, Royal Philharmonic Orchestra. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Walton: Viola Concerto by William Walton, Paul Hindemith, William Primrose, Royal Philharmonic Orchestra, Sir Malcolm Sargent. The song's track number on the album is #1 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Viola Concerto: I. Andante comodo is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Viola Concerto: I. Andante comodo by William Walton, Paul Hindemith, William Primrose, Sir Malcolm Sargent, Royal Philharmonic Orchestra has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Viola Concerto: I. Andante comodo being at 175 テンポ, the half-time would be 88 テンポ with a double-time of 350 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 87 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 141 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Ma mère l'Oye, M. 60: I. Pavane de la belle au bois dormant - Lent | Maurice Ravel, Louis Lortie, Hélène Mercier | C Major | 0 | 8B | 116 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM |