"Stabat mater: II. Incantation" by Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins was released on 2007. The duration of Stabat mater: II. Incantation is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Stabat mater: II. Incantation's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Stabat Mater". In this album, this song's track order is #2. Stabat mater: II. Incantation is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat mater: II. Incantation by Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kayama - Radio Edit | Karl Jenkins, Adiemus, Pamela Thorby, Miriam Stockley, Mary Carewe, Jody K. Jenkins, Frank Ricotti, London Philharmonic Orchestra | A Major | 3 | 11B | 145 BPM | ||
Lamento della ninfa, SV 163: Amor, amor | Claudio Monteverdi, Simone Kermes, Enrico Casazza, La Magnifica Comunità | A Minor | 1 | 8A | 95 BPM | ||
Klezmer Dance No. 2 | Göran Fröst, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 2 | 7A | 87 BPM | ||
Suite gothique, Op. 25: III. Prière à Notre-Dame | Léon Boëllmann, Ian Tracey | D♭ Minor | 0 | 12A | 75 BPM | ||
Alla Notte - Adagio | Miriam Stockley | C Minor | 3 | 5A | 91 BPM | ||
Nine sili nebesniye | Alexander Sheremetiev, Chorovaya Akademia | D♭ Minor | 0 | 12A | 125 BPM | ||
Saint Declan's Drone | Karl Jenkins, Adiemus, Jody Jenkins, Adiemus Orchestra, Miriam Stockley, Mary Carewe, Pamela Thorby, David Farmer, Caryl Ebenezer, Catrin Finch, Davy Spillane | A Minor | 5 | 8A | 100 BPM | ||
Sarakiz: I. Allegro | Karl Jenkins, Marat Bisengaliev, London Symphony Orchestra | C Major | 5 | 8B | 120 BPM | ||
Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM | ||
Trois Pièces, Op. 29: I. Prélude | Gabriel Pierné, Ian Tracey | G Major | 2 | 9B | 82 BPM |