"Nine sili nebesniye" by Alexander Sheremetiev, Chorovaya Akademia was released on 1989. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alexander Sedov's "Miti: La Magia Del Canto Russo" album is number 1 out of 14. Based on our statistics, Nine sili nebesniye's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nine sili nebesniye by Alexander Sheremetiev, Chorovaya Akademia to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM | ||
O filii et filiæ | Henrik Ødegaard, Vox Clamantis, Jaan-Eik Tulve | G Minor | 1 | 6A | 93 BPM | ||
Sulla lulla | Trio Mediæval, Arve Henriksen | E Major | 0 | 12B | 103 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
Gounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus) | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 0 | 6B | 68 BPM | ||
Verily, He Is Worthy | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F♯ Major | 1 | 2B | 86 BPM | ||
Afferentur regi, WAB 1 | Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed | F Major | 0 | 7B | 92 BPM | ||
Adagio for Strings: Agnus Dei | Samuel Barber, Armonico Consort, Christopher Monks | B♭ Minor | 1 | 3A | 78 BPM | ||
Do Not Reject In My Old Age | "The Orthodox Singers" Male Choir, Georgiy Smirnov | C Minor | 0 | 5A | 84 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM |