I Musici Di San Marco, Alberto Lizzio made "Concerto Grosso Op.25-3 G Major 'Watermusic Suite No.3': Affetuoso-Cantabile" available on July 1, 1994. With Concerto Grosso Op.25-3 G Major 'Watermusic Suite No.3': Affetuoso-Cantabile being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in I Musici Di San Marco, Alberto Lizzio's "Handel - Watermusic Suites" album is number 18 out of 19. Concerto Grosso Op.25-3 G Major 'Watermusic Suite No.3': Affetuoso-Cantabile is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Concerto Grosso Op.25-3 G Major 'Watermusic Suite No.3': Affetuoso-Cantabile by I Musici Di San Marco, Alberto Lizzio to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: I. Spiritosa e staccata | Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Major | 2 | 1B | 72 BPM | ||
Kommer intet Mollberg | Bellman Concerto Ensemble, Tomas Blank In Harmony | A Minor | 1 | 8A | 79 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 1: I. Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 94 BPM | ||
Bagatelle No. 3 for String Quartet: Semplice E Languido | Jordan Zhu | A Minor | 4 | 8A | 124 BPM | ||
Concerto Grosso Op.25-3 G Major 'Watermusic Suite No.3': Affetuoso-Cantabile | I Musici Di San Marco, Alberto Lizzio | G Minor | 0 | 6A | 88 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: III. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 3 | 10B | 133 BPM | ||
Tejido | Juan Pablo Fernández Ramos | F Major | 0 | 7B | 136 BPM | ||
Violin Concerto, No. 1 in G-Minor, op. 26: II. Adagio | Philharmonia Slavonica, Alberto Lizzio, Helena Spitkova | E♭ Major | 1 | 5B | 95 BPM | ||
Telemann: Trumpet Concerto in D Major, TWV 51:D7: II. Grave | Georg Philipp Telemann, Philharmonia Orchestra, Leslie Pearson, Maurice André, Riccardo Muti | B Minor | 0 | 10A | 50 BPM |