"Missa duodecanonica: Agnus Dei" by Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava was released on June 4, 2013. With Missa duodecanonica: Agnus Dei being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 15 in the song's album "Rautavaara: Missa a cappella". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Finland. Missa duodecanonica: Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa duodecanonica: Agnus Dei by Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psaume 24. La terre appartient a l'Eternel | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony Chorus | E Minor | 2 | 9A | 83 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Ravel: String Quartet, M. 35: IV. Vif et agité | Maurice Ravel, Quatuor Ébène | F Major | 2 | 7B | 80 BPM | ||
2 Ancient Liturgical Melodies (arr. L. Stokowski): Veni Creator Spiritus - Veni Emmanuel (arr. L. Stokowski) | Anonymous, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | A Minor | 0 | 8A | 55 BPM | ||
Requiem, Op. 9: III. Domine Jesu Christe (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | D Major | 1 | 10B | 137 BPM | ||
O sacrum convivium! | Olivier Messiaen, Choir of St. John's College, Cambridge, George Guest | E♭ Minor | 1 | 2A | 79 BPM | ||
Soir sur la plaine | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | B Major | 1 | 1B | 134 BPM | ||
Das Lied von der Erde: Der Einsame im Herbst | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | B♭ Major | 0 | 6B | 134 BPM | ||
Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM |