Marc-Antoine Charpentier, Annick Massis, Magdalena Kozená, Eric Huchet, Patrick Henckens, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre made "Te Deum for Soloists, Chorus and Orchestra, H. 146: Te aeternum Patrem (Chorus, Soprano I/II, Mezzo-Soprano, Tenor)" available on January 1, 1997. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 18 in Charpentier: Te Deum; Messe de Minuit; Nuit by Marc-Antoine Charpentier, Annick Massis, Magdalena Kozená, Eric Huchet, Patrick Henckens, Russell Smythe, Jean-Louis Bindi, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Te Deum for Soloists, Chorus and Orchestra, H. 146: Te aeternum Patrem (Chorus, Soprano I/II, Mezzo-Soprano, Tenor) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Te Deum for Soloists, Chorus and Orchestra, H. 146: Te aeternum Patrem (Chorus, Soprano I/II, Mezzo-Soprano, Tenor) by Marc-Antoine Charpentier, Annick Massis, Magdalena Kozená, Eric Huchet, Patrick Henckens, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charpentier: Te Deum, H. 146: VIII. Te ergo quaesumus | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Endimione e Cintia: Aria "Se geloso è il mio core" | Alessandro Scarlatti, Elizabeth Watts, The English Concert, Laurence Cummings | D♭ Major | 1 | 3B | 110 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Canaries (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D Minor | 3 | 7A | 84 BPM | ||
Concerto in F Major, Seibel 234: 3. Un poco Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | ||
Pour un reposoir, H. 508: IV. Fugue | Marc-Antoine Charpentier, Les Dominos, Les Agrémens, Chœur De Chambre De Namur, Florence Malgoire | A Major | 2 | 11B | 92 BPM | ||
Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 2. Domine ad adjuvandum me festina | Claudio Monteverdi, The Monteverdi Choir, The Philip Jones Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | D Major | 2 | 10B | 59 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM |