"Don Giovanni, K.527, Act I, Scena prima: Ah! Del padre in periglio...Ma qual mai s'offre" by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker was released on October 31, 1988. The duration of Don Giovanni, K.527, Act I, Scena prima: Ah! Del padre in periglio...Ma qual mai s'offre is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Don Giovanni, K.527, Act I, Scena prima: Ah! Del padre in periglio...Ma qual mai s'offre's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 4 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Don Giovanni, K.527, Act I, Scena prima: Ah! Del padre in periglio...Ma qual mai s'offre is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527, Act I, Scena prima: Ah! Del padre in periglio...Ma qual mai s'offre by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly / Act 1: Ieri son salita tutta sola in segreto alla Missione | Giacomo Puccini, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 61 BPM | ||
Stabat Mater: Quando corpus morietur | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | E♭ Major | 1 | 5B | 74 BPM | ||
Das Rheingold / Erste Szene: "Lugt, Schwestern! Die Weckerin lacht in den Grund" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 108 BPM | ||
Don Giovanni, K. 527: Da qual tremore insolito | Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Chorus & Orchestra of the Théâtre National de l'Opera, Paris, Lorin Maazel | C Major | 0 | 8B | 166 BPM | ||
Die Meistersinger von Nürnberg - Act 1: "Verweilt! - Ein Wort" | Richard Wagner, René Kollo, Hannelore Bode, Julia Hamari, Adolf Dallapozza, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 75 BPM | ||
Verdi: Aida, Act 2: "Vieni, o guerriero vindice" (Popolo, Sacerdoti) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E♭ Major | 4 | 5B | 75 BPM | ||
Così fan tutte, K. 588 / Act I: "Un'aura amorosa" | Wolfgang Amadeus Mozart, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Minor | 4 | 7A | 110 BPM | ||
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" | Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 131 BPM | ||
Verdi: Messa da Requiem: IV. Mors stupebit | Giuseppe Verdi, Riccardo Muti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" | Wolfgang Amadeus Mozart, Luca Pisaroni, Diana Damrau, Ildebrando D'Arcangelo, Vitalij Kowaljow, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 3 | 7B | 74 BPM |