Wolfgang Amadeus Mozart, Luca Pisaroni, Diana Damrau, Ildebrando D'Arcangelo, Vitalij Kowaljow, Mahler Chamber Orchestra, Yannick Nézet-Séguin's 'Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar"' came out on January 1, 2012. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Diana Damrau, Joyce DiDonato, Rolando Villazón, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin's "Mozart: Don Giovanni" album is number 2 out of 53. On top of that, Germany appears to be the country where this track was created. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" by Wolfgang Amadeus Mozart, Luca Pisaroni, Diana Damrau, Ildebrando D'Arcangelo, Vitalij Kowaljow, Mahler Chamber Orchestra, Yannick Nézet-Séguin to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia concertante in E-Flat Major, K. 297b: III. Andantino con variazioni | Wolfgang Amadeus Mozart, Jiri Krejci, Vaclav Kyzivat, Zdeněk Tylšar, Jiri Seidl, Capella Istropolitana, Richard Edlinger | E♭ Major | 1 | 5B | 145 BPM | ||
Verdi: La Traviata, Act 1: "Ah, fors'è lui " (Violetta) | Giuseppe Verdi, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | E♭ Major | 2 | 5B | 81 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Così fan tutte, K. 588 / Act I: "Stelle! Per carità, signor Alfonso" | Wolfgang Amadeus Mozart, Miah Persson, Alessandro Corbelli, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 1 | 7B | 85 BPM | ||
Souvenir d'un lieu cher, Op.42: 2. Scherzo | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | C Minor | 2 | 5A | 97 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Riconosci in questo amplesso" | Wolfgang Amadeus Mozart, Boje Skovhus, Peter Jelosits, Anna Caterina Antonacci, Lucio Gallo, Ildebrando D'Arcangelo, Sylvia McNair, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Susanna, or via, sortite" | Wolfgang Amadeus Mozart, Thomas Hampson, Kiri Te Kanawa, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | C Major | 2 | 8B | 147 BPM | ||
Die Zauberflöte, K.620, Act II: Tamino! Tamino! Willst du mich denn gänzlich verlassen? (Papageno, Zweiter Priester) | Wolfgang Amadeus Mozart, Waldemar Kmentt/Erich Kunz/Wolfgang Brendel/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 85 BPM |