Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege"
- テンポ
- 116
- キー
- D♭ Major
- キャメロットミュージックキー
- 3B
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege" - Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien 情報
- 音響性
- 99%
- ダンサビリティ
- 27%
- エネルギー
- 12%
- 手段性
- 46%
- 活気
- 13%
- ラウドネス
- 64%
- 話し言葉
- 4%
- 価数
- 15%
- 人気
- 12%
- ラウドネス
- -21.364 dB
まとめ
"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege"" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien was released on January 1, 2001. With Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege" being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 44 out of 68 in Bach, JS: St Matthew Passion, BWV 244 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege" テンポ
The tempo marking of Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege" キー
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen Hin | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 171 BPM | |
 | IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | |
 | Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 32, Choral. "Mir hat die Welt trüglich gericht'" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | A Major | 2 | 11B | 80 BPM | |
 | Beethoven: Fidelio, Op. 72, Act 1: "O welche Lust" (Chorus, Prisoners) | Ludwig van Beethoven, Sir Simon Rattle, Thomas Ebenstein, Ion Tibrea, Arnold Schoenberg Chor, Berliner Philharmoniker | B♭ Major | 1 | 6B | 118 BPM | |
 | Matthäuspassion, BWV 244: Aria with Chorale: Da versammleten sich die Hohenpriester (Evangelist, Chorus) | Johann Sebastian Bach, Raimund Nolte, Nico Van Der Meel, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | B Minor | 2 | 10A | 103 BPM | |
 | Matthäus-Passion: Erster Teil, 14. Evangelista, Jesus Und da sie den Lobgesang gesprochen hatten | Johann Sebastian Bach, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs | A♭ Major | 2 | 4B | 94 BPM | |
 | Concerto for Harpsichord, 2 Recorders, Strings, and Continuo No. 6 in F, BWV 1057: 1. -- | Johann Sebastian Bach, András Schiff, Thierry Fischer, Catherine Touraire-Stutz, Chamber Orchestra of Europe | G Minor | 3 | 6A | 120 BPM | |
 | Cantata "Gott soll allein mein Herze haben", BWV 169: No. 7. Chorale, "Du süße Liebe, schenk uns deine Gunst" (Chorus) | Johann Sebastian Bach, Martin Luther, Il Gardellino, Leo Van Doeselaar, Bruno Kössler, Bela Schürmann, Alex Potter, Florian Lohmann, Henryk Böhm | A♭ Major | 1 | 4B | 76 BPM | |
 | Jesu, der du meine Seele (Chorus) | Johann Sebastian Bach, Malin Hartelius, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 1 | 11A | 77 BPM | |
 | Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Concentus Musicus Wien | D♭ Major | 4 | 3B | 139 BPM |
- ISRC
- DEA800026544
- レコードレーベル
- L-M Records/RCA Records