Kurt Weill, Markus Stenz, London Sinfonietta's 'Der Silbersee: Act I: Ouvertüre' came out on January 1, 1990. The duration of Der Silbersee: Act I: Ouvertüre is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Der Silbersee: Act I: Ouvertüre's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kurt Weill, Markus Stenz's "Kurt Weill: Der Silbersee" album is number 1 out of 23. On top of that, United States appears to be the country where this track was created. Based on our statistics, Der Silbersee: Act I: Ouvertüre's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Silbersee: Act I: Ouvertüre by Kurt Weill, Markus Stenz, London Sinfonietta to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Dreigroschenoper: Ballade von der sexuellen Hörigkeit | Kurt Weill, Rolf Boysen, Helga Dernesch, René Kollo, Rias-Sinfonietta Berlin, John Mauceri | E♭ Major | 2 | 5B | 104 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Die Dreigroschenoper: Akt II, Die Ballade vom angenehmen Leben ("Da preist man nun das Leben großer Geister") | Kurt Weill, Erich Schellow, Wilhelm Brückner-Rüggeberg | A Major | 2 | 11B | 117 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 0 | 9B | 178 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Winterreise, Op. 89, D. 911: No. 24, Der Leiermann | Franz Schubert, Dietrich Fischer-Dieskau, Klaus Billing | E Minor | 0 | 9A | 74 BPM | ||
Gardel / Arr. Benetti: Volver | Carlos Gardel, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra | D Major | 2 | 10B | 104 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Voi che sapete" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 67 BPM |