Erich Wolfgang Korngold, Munich Radio Orchestra's 'Violanta: Ja... du wirst ihn toten' came out on 1980. With Violanta: Ja... du wirst ihn toten being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Erich Wolfgang Korngold, Marek Janowski's "Korngold: Violanta - The Sony Opera House" album is number 12 out of 26. On top of that, United States appears to be the country where this track was created. In terms of popularity, Violanta: Ja... du wirst ihn toten is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violanta: Ja... du wirst ihn toten by Erich Wolfgang Korngold, Munich Radio Orchestra to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tomorrow, Op. 33 | Erich Wolfgang Korngold, Gigi Mitchell-Velasco, Ladies of The Mozart Choir, Linz, Bruckner Orchester Linz, Caspar Richter | C Minor | 1 | 5A | 100 BPM | ||
Les biches Suite, FP 36b: III. Rag-Mazurka | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
A Walk To The Paradise Garden | Frederick Delius, Barry Wordsworth, London Symphony Orchestra | E Major | 0 | 12B | 103 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Legends, Op. 59, B. 122: VI. Allegro con moto | Antonín Dvořák, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM | ||
Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | C Major | 1 | 8B | 174 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
The Sea Hawk (complete score restored by J. Morgan): The Fight with the Guard | Erich Wolfgang Korngold, John Morgan, Irina Romishevskaya, Moscow Symphony Chorus, Moscow Symphony Orchestra, William Stromberg | D Major | 2 | 10B | 66 BPM |