"The Sea Hawk (complete score restored by J. Morgan): The Fight with the Guard" by Erich Wolfgang Korngold, John Morgan, Irina Romishevskaya, Moscow Symphony Chorus, Moscow Symphony Orchestra, William Stromberg was released on September 1, 2007. The duration of The Sea Hawk (complete score restored by J. Morgan): The Fight with the Guard is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. The Sea Hawk (complete score restored by J. Morgan): The Fight with the Guard's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Erich Wolfgang Korngold, William Stromberg's "Korngold: Sea Hawk (The) / Deception" album is number 3 out of 40. On top of that, Hong Kong appears to be the country where this track was created. The Sea Hawk (complete score restored by J. Morgan): The Fight with the Guard is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Sea Hawk (complete score restored by J. Morgan): The Fight with the Guard by Erich Wolfgang Korngold, John Morgan, Irina Romishevskaya, Moscow Symphony Chorus, Moscow Symphony Orchestra, William Stromberg to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 In D, Op. 19: 1. Andantino | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 64 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: I. Allegro | Paul Hindemith, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 105 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 2. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |