George Frideric Handel, Luba Orgonasova, Academy of Ancient Music, Christopher Hogwood's 'Rinaldo / Act 1: Aria: Furie terribili' came out on October 16, 2000. With Rinaldo / Act 1: Aria: Furie terribili being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 15 out of 82. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Rinaldo / Act 1: Aria: Furie terribili's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo / Act 1: Aria: Furie terribili by George Frideric Handel, Luba Orgonasova, Academy of Ancient Music, Christopher Hogwood to be Vivace (lively and fast) because the track has a tempo of 159 テンポ, a half-time of 80テンポ, and a double-time of 318 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'incoronazione di Poppea, SV 308 / Act II: Adagiati, Poppea - Oblivion soave | Claudio Monteverdi, Bernarda Fink, English Baroque Soloists, John Eliot Gardiner | G Minor | 0 | 6A | 106 BPM | ||
Fago: Confitebor tibi Domine: IV. "Sanctum et terribile" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 178 BPM | ||
Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | ||
Oboe Concerto in D Minor, BWV 1059R: 1. Allegro (Performed on Recorder) | Johann Sebastian Bach, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | D♭ Minor | 3 | 12A | 99 BPM | ||
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
Maddalena ai piedi di Cristo: No. 28 Duetto Amor Celeste, Amor Terreno "La mia virtude" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink, Andreas Scholl | A♭ Minor | 2 | 1A | 138 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 106 BPM | ||
Armide, Act II, Scene 5: "Enfin, il est en ma puissance" (Armide) | Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, Guillemette Laurens, La Chapelle Royale | D Minor | 2 | 7A | 141 BPM | ||
Nulla in mundo pax, RV 630: 2. Blande colore...3. Spirat anguis inter flores | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 1 | 4B | 107 BPM | ||
Salve Regina in A minor - Edited by Robert King: 1. Salve Regina | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | A♭ Minor | 1 | 1A | 65 BPM |