"Salve Regina in A minor - Edited by Robert King: 1. Salve Regina" by Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset was released on January 1, 1999. The duration of Salve Regina in A minor - Edited by Robert King: 1. Salve Regina is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Salve Regina in A minor - Edited by Robert King: 1. Salve Regina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Pergolesi: Stabat Mater; Salve Regina in F minor; Salve Regina in A minor". In this album, this song's track order is #18. Salve Regina in A minor - Edited by Robert King: 1. Salve Regina is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salve Regina in A minor - Edited by Robert King: 1. Salve Regina by Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset having a テンポ of 65 with a half-time of 32 テンポ and a double-time of 130 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve Regina in A minor - Edited by Robert King: 4. O clemens | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | A♭ Minor | 1 | 1A | 171 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
La serva padrona: Lo conosco a quegli occhietti (Serpina, Uberto) | Giovanni Battista Pergolesi, Fanzago Baroque Ensemble, Christian Deliso, Marina Zyatkova, Carlo Torriani | D♭ Major | 3 | 3B | 120 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: III. Allegro | Arcangelo Corelli, Enrico Onofri | G Major | 3 | 9B | 116 BPM | ||
L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
Stabat Mater en fa mineur pour soprano, alto & orgue: Quando corpus morietur Amen | Giovanni Battista Pergolesi, Orchestre Paul Kuentz, Barbara Schlick, Christa Menke | B♭ Minor | 1 | 3A | 129 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Interlude | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM |