"Macbeth: ah, la paterna mano" by Antonello Gotta, Compagnia D'Opera Italiana, Silvano Sant'Agata had its release date on November 22, 2010. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Macbeth: ah, la paterna mano's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Arias for Xmas, so we believe that "Macbeth: ah, la paterna mano" is a single. Macbeth: ah, la paterna mano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Macbeth: ah, la paterna mano by Antonello Gotta, Compagnia D'Opera Italiana, Silvano Sant'Agata is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
'O paese d' 'o sole | Spero Bongiolatti, Antonello Gotta, Compagnia d'Opera Italiana | G Major | 3 | 9B | 179 BPM | ||
Swan Lake, Op. 20a, Swan Lake, Op. 20, Act II By a Lake: No. 10, Scene. Moderato | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | E Minor | 2 | 9A | 90 BPM | ||
Les Patineurs - Waltz, Op. 183 - 1989 Remastered Version | Émile Waldteufel, Monte-Carlo Philharmonic Orchestra, Willi Boskovsky | A Major | 1 | 11B | 98 BPM | ||
Suite for Variety Orchestra: VII. Waltz No. 2 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | C Minor | 1 | 5A | 187 BPM | ||
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
Vocalise, Op.34, No.14 | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 83 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse | Antonín Dvořák, Orpheus Chamber Orchestra | A Major | 0 | 11B | 85 BPM | ||
Fenesta ca lucive | Spero Bongiolatti, Compagnia d'Opera Italiana, Antonello Gotta | F Major | 3 | 7B | 175 BPM | ||
O Lola (Siciliana) | Pietro Mascagni, Enrico Caruso | F Minor | 2 | 4A | 83 BPM | ||
Cavalleria rusticana: Part II: Intermezzo | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 0 | 7A | 117 BPM |