"Swan Lake, Op. 20a, Swan Lake, Op. 20, Act II By a Lake: No. 10, Scene. Moderato" by Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard was released on October 24, 1990. The duration of Swan Lake, Op. 20a, Swan Lake, Op. 20, Act II By a Lake: No. 10, Scene. Moderato is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Swan Lake, Op. 20a, Swan Lake, Op. 20, Act II By a Lake: No. 10, Scene. Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake (Complete Ballet)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Swan Lake, Op. 20a, Swan Lake, Op. 20, Act II By a Lake: No. 10, Scene. Moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20a, Swan Lake, Op. 20, Act II By a Lake: No. 10, Scene. Moderato by Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: Scheherazade, Op. 35: II. The Legend of the Kalendar Prince | Nikolai Rimsky-Korsakov, Maria Larionoff, Seattle Symphony Orchestra, Gerard Schwarz | B Minor | 1 | 10A | 139 BPM | ||
The Ghost of Frankenstein: Monster Kidnaps Child / Monster's Desire | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | B Major | 0 | 1B | 120 BPM | ||
La traviata*: Gypsy Chorus 'Noi siamo zingarelle' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Spartacus Suite No. 2: Adagio of Spartacus and Phrygia | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 2 | 8A | 88 BPM | ||
Nocturne No. 11 in G Minor, Op. 37 | Frédéric Chopin, Dubravka Tomšič | E♭ Major | 1 | 5B | 127 BPM | ||
Rigoletto, Act IV: "La donna è mobile" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 2 | 8B | 118 BPM | ||
Concerto Grosso No. 8 in G Minor, Op. 6, "Christmas Concerto": Allegro | Arcangelo Corelli, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 73 BPM | ||
Slavonic Dance No. 2 in E Minor, Op. 72 | London Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
Strauss Jr., J.: An der schönen blauen Donau, Op. 314 | Johann Strauss II, London Philharmonic Orchestra, Franz Welser-Möst | B♭ Major | 1 | 6B | 60 BPM | ||
The Tale of Tsar Saltan - Transcribed S. Rachmaninoff (1873-1943): The Flight of the Bumble-Bee | David Helfgott | F Major | 2 | 7B | 183 BPM |