"Raduysya (Rejoice): IV. And he returned to his own abode (Nun ist er in sein Haus zurückgekehrt)" by Sofia Gubaidulina, Oleh Krysa, Torleif Thedéen was released on February 28, 1993. Raduysya (Rejoice): IV. And he returned to his own abode (Nun ist er in sein Haus zurückgekehrt) is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The track order of this song in Sofia Gubaidulina, James DePreist's "Gubaidulina: Offertorium/ Rejoice! Freue Dich" album is number 5 out of 6. In terms of popularity, Raduysya (Rejoice): IV. And he returned to his own abode (Nun ist er in sein Haus zurückgekehrt) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Raduysya (Rejoice): IV. And he returned to his own abode (Nun ist er in sein Haus zurückgekehrt) by Sofia Gubaidulina, Oleh Krysa, Torleif Thedéen to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 2 in C Minor, Op. 77: III. Andante con moto - Allegro agitato - Molto tranquillo | Dmitry Kabalevsky, Torleif Thedéen, Hannover Radio Philharmonic Orchestra, Eiji Oue | G Major | 1 | 9B | 76 BPM | ||
Cello Concerto No. 1 in E-Flat Major, Op. 107: II. Moderato (attacca) - | Dmitri Shostakovich, Torleif Thedéen, Malmö Symphony Orchestra, James DePreist | E♭ Major | 0 | 5B | 100 BPM | ||
Communion Dress - Instrumental | Alejandro Amenábar | D♭ Major | 1 | 3B | 0 BPM | ||
The Double Theme - Version 1 | Andrew Hewitt | F♯ Major | 3 | 2B | 140 BPM | ||
Cello Sonata No. 2 in F Major, Op. 99: III. Allegro passionato | Johannes Brahms, Torleif Thedéen, Roland Pöntinen | D Minor | 1 | 7A | 79 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Main Titles (Overture) | Louis and Bebe Barron | C Major | 2 | 8B | 105 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 84 BPM | ||
Pluto, the Renewer | Colin Matthews, Royal Scottish National Orchestra, David Lloyd-Jones | C Minor | 0 | 5A | 144 BPM |