"Sibelius: Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela" by Jean Sibelius, Paavo Järvi, Jesper Harryson, Royal Stockholm Philharmonic Orchestra was released on 1996. Since Sibelius: Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Sibelius - Lemminkäinen Suite/Luonnotar/Nightride and Sunrise". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Sibelius: Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sibelius: Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela by Jean Sibelius, Paavo Järvi, Jesper Harryson, Royal Stockholm Philharmonic Orchestra having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | E Major | 0 | 12B | 75 BPM | ||
Lyric Pieces, Op. 54 - Orch. by Anton Seidl: II. Bellringing | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 90 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Yo-Yo Ma, André Previn, London Symphony Orchestra | C Minor | 1 | 5A | 109 BPM | ||
Symphony No.1 in D minor, Op.13: 3. Larghetto | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | C Minor | 0 | 5A | 69 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Sibelius: Karelia Suite, Op. 11: II. Ballade | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | E♭ Major | 1 | 5B | 91 BPM | ||
Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM |