"Lamento D'Arianna: I. Lasciatemi Morire" by Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini was released on April 18, 2006. With Lamento D'Arianna: I. Lasciatemi Morire being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini's "Monteverdi: Il Sesto Libro de Madrigali" album is number 1 out of 18. On top of that, France appears to be the country where this track was created. Lamento D'Arianna: I. Lasciatemi Morire is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lamento D'Arianna: I. Lasciatemi Morire by Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Miserere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Minor | 1 | 10A | 166 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 75 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
Altri canti d'amor | Claudio Monteverdi, Alessandro Carmignani, Paolo Costa, Marco Scavazza, Delitiæ Musicæ, Marco Longhini | D♭ Major | 2 | 3B | 120 BPM | ||
Strozzi: Arie, Op. 8 No. 6: "Che si può fare" | Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro | C Major | 1 | 8B | 73 BPM | ||
Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium | Claudio Monteverdi, Philip Pickett, Catherine Bott, Tessa Bonner, Christopher Robson, John Mark Ainsley, Michael George, New London Consort | F Major | 2 | 7B | 76 BPM | ||
Madrigali guerrieri: No. 2, Sonnet by Petrarch, Partie I "Hor che'l' ciel e la terra e'l vento tace" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 80 BPM | ||
4e livre de viole: Muzette | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | D♭ Minor | 5 | 12A | 95 BPM |