Heinrich Schütz, Frauke Hess, Ludger Rémy, Dresdner Kammerchor, Hans-Christoph Rademann's 'Geistliche Chormusik, Op. 11: 6. Unser keiner lebet sich selber, SWV 374' came out on September 1, 2007. The duration of Geistliche Chormusik, Op. 11: 6. Unser keiner lebet sich selber, SWV 374 is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Geistliche Chormusik, Op. 11: 6. Unser keiner lebet sich selber, SWV 374's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Heinrich Schütz, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann's "Heinrich Schütz: Geistliche Chor-Music 1648 (Complete Recording Vol. 1)" album is number 6 out of 29. Based on our statistics, Geistliche Chormusik, Op. 11: 6. Unser keiner lebet sich selber, SWV 374's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Chormusik, Op. 11: 6. Unser keiner lebet sich selber, SWV 374 by Heinrich Schütz, Frauke Hess, Ludger Rémy, Dresdner Kammerchor, Hans-Christoph Rademann to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wo? (After Schubert's D. 956) | Simon Parkin, Josephine Knight, The Gesualdo Six | E Major | 0 | 12B | 115 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
Missa pro Quadragesima, MH 551: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | D Major | 1 | 10B | 71 BPM | ||
Mass in D Major, Op. 86, B. 153: VI. Agnus Dei | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 137 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Es gingen zweene Menschen, SWV 444 | Heinrich Schütz, Gerlinde Sämann, Maria Stosiek, Stefan Kunath, Tobias Mäthger, Felix Schwandtke, Karina Müller, Margret Baumgartl, Matthias Müller, Hille Perl, Ludger Rémy, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM |