"Es gingen zweene Menschen, SWV 444" by Heinrich Schütz, Gerlinde Sämann, Maria Stosiek, Stefan Kunath, Tobias Mäthger, Felix Schwandtke, Karina Müller, Margret Baumgartl, Matthias Müller, Hille Perl, Ludger Rémy, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann was released on February 1, 2014. The duration of Es gingen zweene Menschen, SWV 444 is about 3 minutes long, at 3:28. Based on our data, "Es gingen zweene Menschen, SWV 444" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Schütz: Auferstehungshistorie (Complete Recording Vol. 9)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. The popularity of Es gingen zweene Menschen, SWV 444 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Es gingen zweene Menschen, SWV 444 by Heinrich Schütz, Gerlinde Sämann, Maria Stosiek, Stefan Kunath, Tobias Mäthger, Felix Schwandtke, Karina Müller, Margret Baumgartl, Matthias Müller, Hille Perl, Ludger Rémy, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Unser Wandel ist im Himmel, SWV 390 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | F♯ Major | 1 | 2B | 166 BPM | ||
Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
Erhöre mich, wenn ich rufe, SWV 289 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung | F♯ Major | 1 | 2B | 166 BPM | ||
Quis numerare queat: II. Audivit ipse | Loyset Compère, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Graduale: III. Non timebit | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 2 | 5A | 83 BPM | ||
Psalmen Davids, Op. 2: No. 5, Ich freu mich des, das mir geredet ist, SWV 26 "Psalm 122" | Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, Marie Luise Werneburg, Sandra Bernhardt, Stefan Kunath, David Erler, Cenek Svoboda, Georg Poplutz, Tobias Mathger, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | E Major | 2 | 12B | 143 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Ho vinto, Amor (I) | Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM |