Traditional Song, Sam Arnold, Masada Musicians's 'Psalm 73: Truly the Lord Our God Is Good (Vocal)' came out on August 27, 2023. The duration of Psalm 73: Truly the Lord Our God Is Good (Vocal) is about 3 minutes long, at 3:04. Based on our data, "Psalm 73: Truly the Lord Our God Is Good (Vocal)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Masada Musicians's "I Will Sing Thy Praise" album is number 9 out of 24. On top of that, United States appears to be the country where this track was created. Based on our statistics, Psalm 73: Truly the Lord Our God Is Good (Vocal)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalm 73: Truly the Lord Our God Is Good (Vocal) by Traditional Song, Sam Arnold, Masada Musicians to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnify, O My Soul | Trad. Old Russian, Chamber Choir, Lege Artis, Boris Abalyan | C Major | 2 | 8B | 98 BPM | ||
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM | ||
Prelude Etnika | Philippine Madrigal Singers, Mark Anthony Carpio, Lucresia R. Kasilag, Erwin D. Vargas | B Major | 3 | 1B | 96 BPM | ||
Funeral Ikos | John Tavener, Owain Park, The Gesualdo Six | A♭ Major | 1 | 4B | 73 BPM | ||
in I. nocturno: Lectio II - Lamed - Voice | Carlo Gesualdo, Andrew Parrott, Taverner Consort & Choir | G Major | 1 | 9B | 75 BPM | ||
Introitus: Exsurge, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | B♭ Minor | 0 | 3A | 82 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Alleluia: Tota Pulchra, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | D Major | 1 | 10B | 185 BPM | ||
Restoration | Tom Kenyon | D Major | 1 | 10B | 92 BPM | ||
Missa "Mater Patris": Gloria from the mass Mater Matris | Josquin des Prez, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM |