Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo's 'Alleluia: Tota Pulchra, Modo I' came out on December 31, 1995. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 25 in Cantate Domino, Alleluya by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. The popularity of Alleluia: Tota Pulchra, Modo I is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alleluia: Tota Pulchra, Modo I by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo is Presto (very, very fast), since this song has a tempo of 185 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prologue of the Kontakion for the Nativity of Christ | Romanos the Melodist, Cappella Romana, Alexander Lingas | D Major | 3 | 10B | 77 BPM | ||
Le trépas de St Benoît - Antienne de Magnificat : Hodie | Choeur des moines de l'abbaye Notre Dame de Fontgombault | D Major | 1 | 10B | 124 BPM | ||
Prochimen Sa Nu Intorci Fata Ta / Prokeimenon Do Not Hide Your Face from Me | Byzantion | E♭ Major | 2 | 5B | 135 BPM | ||
Feria secunda: Introit. Introduxit vos | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | F Major | 0 | 7B | 110 BPM | ||
Canto Gregoriano Jueves Santo, Misa y Responsos de las Tinieblas: Responso: SENIORES POPULI (1er. modo) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | G Major | 1 | 9B | 104 BPM | ||
Missa Orbis Factor: I. Kyrie (1) | Ars Veritas, Schola Cantorum, Jeremy D. Jones, Jakob Patriksson | F♯ Major | 2 | 2B | 127 BPM | ||
Missa "Mater Patris": Credo | Josquin des Prez, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
in I. nocturno: Antiphon - Astiterunt reges terrae/Psalm - Quare fremuerunt gentes (Ps 2)/Antiphon - Astiterunt reges terrae - Voice | Carlo Gesualdo, Andrew Parrott, Taverner Consort & Choir | A Major | 0 | 11B | 132 BPM | ||
Sarvastivada | Soulmerge | B♭ Minor | 2 | 3A | 132 BPM | ||
Dumnezeu, Dintru-Nceputu | Byzantion | D♭ Major | 1 | 3B | 66 BPM |