"Also Sprach Zarathustra Op.30: Von der grossen Sehnsucht (Of the Great Longing)" by Richard Strauss, London Philharmonic Orchestra, Klaus Tennstedt had its release date on August 6, 1999. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Also Sprach Zarathustra Op.30: Von der grossen Sehnsucht (Of the Great Longing)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Strauss - Also Sprach Zarathustra". In this album, this song's track order is #3. Based on our statistics, Also Sprach Zarathustra Op.30: Von der grossen Sehnsucht (Of the Great Longing)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also Sprach Zarathustra Op.30: Von der grossen Sehnsucht (Of the Great Longing) by Richard Strauss, London Philharmonic Orchestra, Klaus Tennstedt having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B Minor | 1 | 10A | 79 BPM | ||
Puccini : Crisantemi | Giacomo Puccini, The Helsinki Strings, Csaba Szilvay, Géza Szilvay | F♯ Minor | 1 | 11A | 85 BPM | ||
Saint-Saëns: Piano Concerto No. 1 in D Major, Op. 17: III. Allegro con fuoco | Camille Saint-Saëns, Jean-Philippe Collard, Royal Philharmonic Orchestra, André Previn | D Major | 3 | 10B | 114 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | G Minor | 3 | 6A | 133 BPM | ||
Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 1 | 6B | 75 BPM | ||
Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 77 BPM | ||
Hamlet Suite, Op. 116a: Hamlet's Parting from Ophelia | Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 0 | 7B | 71 BPM | ||
Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM |