Johann Sebastian Bach, Keith Jarrett made "The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in G Minor, BWV 861 - Live in Troy, NY / 1987" available on June 14, 2019. With The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in G Minor, BWV 861 - Live in Troy, NY / 1987 being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Keith Jarrett's "J.S. Bach: The Well-Tempered Clavier, Book I (Live in Troy, NY / 1987)" album is number 32 out of 48. The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in G Minor, BWV 861 - Live in Troy, NY / 1987 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in G Minor, BWV 861 - Live in Troy, NY / 1987 by Johann Sebastian Bach, Keith Jarrett to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | C Minor | 3 | 5A | 76 BPM | ||
5 Little Preludes, BWV 939-943: Prelude In D Minor, BWV 940 | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 121 BPM | ||
Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D Major | 3 | 10B | 105 BPM | ||
Cello Suite No. 3 In C major, BWV 1009 : II. Allemande | Pablo Casals | G Major | 2 | 9B | 108 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 9 in E major, BWV 854 | Luc Beauséjour | C Minor | 7 | 5A | 97 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in B-Flat Minor, BWV 867 - Live in Troy, NY / 1987 | Johann Sebastian Bach, Keith Jarrett | B♭ Minor | 0 | 3A | 83 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Musical Offering, BWV 1079 - Ed. Marriner: Canon perpetuus | Johann Sebastian Bach, William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay | D Major | 1 | 10B | 176 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 4 | 12B | 172 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM |