Ture Rangström, Anders Glenmark, Frida, Philippe Elan, Residentie Orkest The Hague, Jurjen Hempel's 'Donne-moi ton amour - Live' came out on November 1, 2019. With this song being about 5 minutes long, at 4:43, "Donne-moi ton amour - Live" by Ture Rangström, Anders Glenmark, Frida, Philippe Elan, Residentie Orkest The Hague, Jurjen Hempel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Philippe Elan, Residentie Orkest The Hague, Jurjen Hempel's "Ma France - Chansons Symphoniques (Live)" album is number 4 out of 11. In terms of popularity, Donne-moi ton amour - Live is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Donne-moi ton amour - Live by Ture Rangström, Anders Glenmark, Frida, Philippe Elan, Residentie Orkest The Hague, Jurjen Hempel to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine | Claude Debussy, Victoria de los Ángeles, Gonzalo Soriano | F♯ Major | 0 | 2B | 113 BPM | ||
6 Romances, Op. 8: No. 5, The Dream | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
Sörmlandsidyller: I sommarnatten | Ture Rangström, Hugo Tigerschiöld, Stockholms Studentsångare, Pelle Olofson | F Major | 4 | 7B | 132 BPM | ||
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM |