"Schütz: Der Schwanengesang, Op. 13, Psalm CXIX: Koph und Resch. "Ich rufe von ganzem Herzen", SWV 491" by Heinrich Schütz, The Hilliard Ensemble, Knabenchor Hannover, London Baroque, Heinz Hennig was released on January 1, 1985. Since Schütz: Der Schwanengesang, Op. 13, Psalm CXIX: Koph und Resch. "Ich rufe von ganzem Herzen", SWV 491 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Schütz: Opus ultimum. Der Schwanengesang, Op. 13, SWV 482 - 494". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Schütz: Der Schwanengesang, Op. 13, Psalm CXIX: Koph und Resch. "Ich rufe von ganzem Herzen", SWV 491 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schütz: Der Schwanengesang, Op. 13, Psalm CXIX: Koph und Resch. "Ich rufe von ganzem Herzen", SWV 491 by Heinrich Schütz, The Hilliard Ensemble, Knabenchor Hannover, London Baroque, Heinz Hennig having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75: I. Ad pedes. Ecce super montes | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 1 | 4B | 97 BPM | ||
Guerrero: Conceptio tua | A5 Vocal Ensemble, Francisco Guerrero | G Major | 0 | 9B | 137 BPM | ||
Afferentur regi, WAB 1 | Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed | F Major | 0 | 7B | 92 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
Geistliche Chormusik, Op. 11: 16. Ein Kind ist uns geboren, SWV 384 | Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Tobias Mäthger, Felix Schwandtke, Frauke Hess, Ludger Rémy, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | F♯ Major | 1 | 2B | 70 BPM | ||
Symphoniae sacrae I, Op. 6: Anima mea liquefacta est, prima parte, SWV. 263 | Heinrich Schütz, Les Cris De Paris, Geoffroy Jourdain | G Minor | 3 | 6A | 138 BPM | ||
Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | A♭ Minor | 2 | 1A | 121 BPM | ||
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Scene 1: Qui si può dire | Francesca Caccini, Francesca Lombardi Mazzulli, Allabastrina, La Pifarescha, Elena Sartori | G Major | 3 | 9B | 171 BPM | ||
Abendlied | Conrad Beck, Basler Madrigalisten, Raphael Immoos | C Minor | 1 | 5A | 112 BPM |