"Verdi: Aïda, Act 1: "Celeste Aïda" (Radames)" by Giuseppe Verdi, Plácido Domingo, Nello Santi, Berlin Deutsche Oper Orchestra was released on April 29, 2008. With this song being about 5 minutes long, at 4:42, "Verdi: Aïda, Act 1: "Celeste Aïda" (Radames)" by Giuseppe Verdi, Plácido Domingo, Nello Santi, Berlin Deutsche Oper Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 40 Most Beautiful Arias (international version), so we believe that "Verdi: Aïda, Act 1: "Celeste Aïda" (Radames)" is a single. The popularity of Verdi: Aïda, Act 1: "Celeste Aïda" (Radames) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Verdi: Aïda, Act 1: "Celeste Aïda" (Radames) by Giuseppe Verdi, Plácido Domingo, Nello Santi, Berlin Deutsche Oper Orchestra is Presto (very, very fast), since this song has a tempo of 181 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon Lescaut / Act 1: "Donna non vidi mai" | Giacomo Puccini, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | B♭ Major | 2 | 6B | 91 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Claudio Scimone, I Solisti Veneti, Marilyn Horne | D Major | 1 | 10B | 87 BPM | ||
L'Africaine / Act 4: Mi batte il cor...O Paradiso | Giacomo Meyerbeer, Plácido Domingo, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | F♯ Major | 4 | 2B | 90 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 86 BPM | ||
Rigoletto: Oper in 3 Akten · Querschnitt und große Szenen in deutscher Sprache (2001 - Remaster), Erster Teil: Querschnitt, Erster Akt: - Vorspiel [Preludio] (Orchester) | Francesco Maria Piave, Giuseppe Verdi, Hermann Lüddecke/Männerchor Der Deutschen Oper Berlin/Berliner Symphoniker/Rudolf Schock/Wilhelm Schüchter, Hermann Luddecke, Hermann Lüeddecke, Werner Schmidt-Boelcke, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | C Major | 0 | 8B | 67 BPM | ||
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM |